The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

The result is organic, ever-changing sounds that respond to your control. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Each note in a chord can be playing something different!

You can modulate each Lane’s start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.Įvery time the sequence moves forward, the individual Lanes are combined to create the output. Also added are new characteristics including shapes, gate times, and step sequencer values. Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently.

The original Korg Wavestation in all of it’s plain glory The Wavestate takes it’s design to the next level with dials galore for filters, envelopes, LFOs and effects to truly customise and refine in-depth the sounds you’re synthesising as you play. The original Korg Wavestation looked like a keyboard with some functional buttons for customisation. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.” Korg said alongside their announcement: “The Wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition.

Korg wavestate 2.0 update